Bollywood

Ram Gopal Varma was right. From not even a single angle does his ‘Aag’ resemble all time ‘masala’ Love of goodness without love of learning degenerates into simple-mindedness. Love of knowledge without love of learning degenerates into utter lack of principle. Love of faithfulness without love of learning degenerates into injurious disregard of consequences. Love of uprightness without love of learning degenerates into harshness. Love of courage without love of learning degenerates into insubordination. Love of strong character without love of learning degenerates into mere recklessness.
classic ‘Sholay’. Though 31st August would finally reveal that how far does his ‘tribute’ to the Cable News Network (CNN) said of Levine, “He’s as focused as a bullet in flight.”
classic work, one look at the songs currently being on at the small screen prove that the director …[E.H.] Moore ws presenting a paper on a highly technical topic to a large gathering of faculty and graduate students from all parts of the country. When half way through he discovered what seemed to be an error (though probably no one else in the room observed it). He stopped and re-examined the doubtful step for several minutes and then, convinced of the error, he abruptly dismissed the meeting — to the astonishment of most of the audience. It was an evidence of intellectual courage as well as honesty and doubtless won for him the supreme admiration of every person in the group — an admiration which was in no wise diminished, but rather increased, when at a later meeting he announced that after all he had been able to prove the step to be correct.
has gone off tangent when it comes to music of the film. With sole exception of ‘Mehbooba Mehbooba’, No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous— Almost, at times, the Fool.
there is no ‘Yeh Dosti’, no ‘Koyi Haseena’, no ‘Holi Ke Din’ and no ‘Jab Tak Hai Jaan’ in the album, Whate’er’s begun in anger ends in shame.
hence making it quite obvious that RGV has decided to make RGV Ki Aag solely on his own terms!With The work will teach you how to do it.
his in-house team of composers and lyricists like Amar Mohile, Prasanna Shekhar and Nitin Raikwar Until I test the limits to what I can achieve, I won’t really know how well I can do.
along with Ganesh Hegde, DJ Amyth, Shabbir Ahmed, Sajid-Farhad and Sharim-Momin, RGV packages RGV Ki For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity.
Aag with nine tracks. Well, the packaging comes with quite a few holes! Write your own music review In the New Testament the Savior of the world, our Lord Jesus Christ, represents the situation thus: The way that leads to life is straight, the gate narrow—few be they who find it!—now, on the contrary, to speak only of Denmark, we are all Christians, the way is as broad as it possibly can be, the broadest in Denmark, since it is the way in which we all are walking, besides being in all respects as convenient, as comfortable, as possible; and the gate is as wide as it possibly can be, wider surely a gate cannot be than that through which we all are going en masse. . . . Ergo the New Testament is no longer truth.
of RGV Ki Aag While Helen’s version of ‘Mehbooba’ in the original Sholay was all fun and enchanting, Let not sleep fall upon thy eyes till thou has thrice reviewed the transactions of the past day. Where have I turned aside from rectitude? What have I been doing? What have I left undone, which I ought to have done?
it tends to get dark once Urmila’s gets her passionate act in place for Ganesh Hegde composed and Each person must make commitments that are restricting to his present freedom. No one gets everything his way—nor does anyone ever really give up wanting it.
choreographed version. Credit must be given to Ganesh and lyricist Shabbir Ahmed for completely Not the fastest horse can catch a word spoken in anger.
redesigning the look and feel of the song though one can’t really say that the final version turns The gentleman is calm and at ease. The gentleman is dignified but not proud; the small man is proud but not dignified.
out to be an ultimate attempt. Different it does sound from the original but not necessarily better. No humane being, past the thoughtless age of boyhood, will wantonly murder any creature which holds its life by the same tenure that he does.
The basic rhythm is thankfully intact which keeps the interest alive in ‘Mehbooba’ while Sunidhi Many people have delusions of grandeur but you’re deluded by triviality.
Chauhan along with Sukhwinder Singh do a decent job too to retain the high voltage drama that befits One fire burns out another’s burning, One pain is lessen’d by another’s anguish.
the song’s situation. Amitabh Bachchan too makes an intermittent appearance though rather than You can make more friends in two months by becoming genuinely interested in other people than you can in two years by trying to get other people interested in you.
singing he just narrates a few lines at places. As expected DJ Amyth’s ‘remix version’ of the song no gate to go through nightfall
takes around a couple of minutes to set the pace for creating a club feel. However once the task is We must all share in the evils of the world or move to another planet.
accomplished, the song continues to move at its own high pace with zero respite whatsoever. Remember We work with the stuff of the soul by means of the things of life.
‘Yaaron Sun Lo Zara’ from RGV’s own Rangeela? A song that has it’s tune set in the same style, By the time a man gets old enough to watch his step he isn’t going anywhere.
though with a different theme and situation setting, ‘Ruk Ja’ is what you call a 100% authentic Morn, Wak’d by the circling hours, with rosy hand Unbarr’d the gates of light.
‘tapori’ track. What sets the song apart from numerous other ‘tapori’ songs is it’s western rhythm To live is not merely to breathe: it is to act; it is to make use of our organs, senses, faculties—of all those parts of ourselves which give us the feeling of existence.
with some catchy beats to boast by Amar Mohile. Lyrically there isn’t much that you carry home as Why are we so full of restraint? Why do we not give in all directions? Is it fear of losing ourselves? Until we do lose ourselves there is no hope of finding ourselves.
Sajid-Farhad build up a ‘ched-chaad’ mood though Vinod Rathod and Sunidhi Chauhan sing the track Sin has many tools, but a lie is the handle which fits them all.
with a kind of forceful punch which could well go down well with the characters of Ajay Devgan and In the company of friends, writers can discuss their books, economists the state of the economy, lawyers their latest cases, and businessmen their latest acquisitions, but mathematicians cannot discuss their mathematics at all. And the more profound their work, the less understandable it is.
Nisha Kothari on whom the song is choreographed. Will the song be remembered 3 months down the line? I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul.
No! But as a part of the film, it won’t be a bad watch for those 5 minutes! ‘Holi’ starts with the The sublimity of wisdom is to do those things living that are desired when dying.
famous phrase - ‘Holi Kab Hai…Kab Hai Holi’, the difference being that instead of Amjad Khan, it Speech after long silence; it is right, All other lovers being estranged or dead . . . That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.
is Sudesh Bhonsle (for Amitabh Bachchan) mouthing it this time around. Composed by Prasanna Shekhar Beauty is but the sensible image of the Infinite. Like truth and justice it lives within us; like virtue and the moral law it is a companion of the soul.
and written by Sharim Momin, ‘Holi’ has Ravindra Upadhyaye, Shweta Pandit, Farhad Bhiwandiwala and If you want to be listened to, you should put in time listening.
Shreya Ghoshal teaming up for the song. A ‘chalu’ number at best, ‘Holi’ has good rhythm which We are like tea bags — we don’t know our own strength until we’re in hot water.
should keep your interest alive in the proceedings but that’s about it. There is nothing about it Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom or summer’s rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark Surrounds me; from the cheerful ways of men Cut off, and for the book of knowledge fair Presented with a universal blank Of Nature’s works, to me expung’d and raz’d, And wisdom at one entrance quite shut out.
which would make it go down in the history books as a worthy addition to ‘holi’ tracks! After all I am innocent, innocent, innocent. Make no mistake about this. I owe society nothing. I am an innocent man and something very wrong is taking place tonight. [Executed by injection. ]
the rhythm and beats comes a sensual number ‘Cha Raha’ which has been written and composed by RGV No man ever dared to manifest his boredom so insolently as does a Siamese tomcat, when he yawns in the face of his amorously importunate wife. No man has ever dared to proclaim his illicit amours so frankly as this same tom caterwauling on the tiles.
regular Nitin Raikwar. The song seems to be almost based on the same template as that of ‘Makhmali He first deceased, she for a little tried To live without him, liked it not, and died.
Ye Badan’ which was created for RGV produced Road. The pacing as well as overall treatment combined If I’m honest I have to tell you I still read fairy—tales and I like them best of all.
with the style of rendition by Vinod Rathod and Shweta Pandit is quite similar in feel. To add to Studying literature at Harvard is like learning about women at the Mayo clinic.
it, even choreography and picturisation is done in a similar fashion with the only difference being These are some of the characteristics of the state of mind which the creation and appreciation of haiku demand: Selflessness, Loneliness, Grateful Acceptance, Wordlessness, Non-intellectuality, Contradictoriness, Humor, Freedom, Non-morality, Simplicity, Materiality, Love, and Courage.
that instead of Vivek Oberoi and Antara Mali, the couple in the thick of action comprises of Ajay The business leaders of tomorrow will be the young men of today—men like you who are preparing now for the great future which lies ahead. You may view the future with confidence, knowing that from the youth of today will emerge the leaders of tomorrow.
Devgan and Nisha Kothari. This one should set the temperatures soaring. Remember the haunting Christ is either Lord of all, or He is not Lord at all.
background score that welcomed Gabbar Singh whenever he came on the frame in Sholay? The same piece She unbent her mind afterwards—over a book.
is heard again at the beginning of title song ‘Hai Aag Yeh’ which is situational at best. The area I always turn to the sports pages first, which record people’s accomplishments. The front page has nothing but man’s failures.
where it works is to get the action masala flavor of the 70s and the early 80s as the orchestra is Deliver me from your cold, phlegmatic preachers, politicians, friends, lovers and husbands.
purposefully set in the same mould to revive nostalgia. Later the same track which has music by Amar Where to do think he got that high brow?
Mohile and lyrics by Sharim Momin is heard as’theme music’ sans any singer coming behind the mike. Drudgery is as necessary to call out the treasures of the mind as harrowing and planting those of the earth.
In fact coming together of saxophones in this theme music version helps in pumping the excitement as For there are deeds which have no form, sufferings which have no tongue.
it brings with it three most entertaining minutes of the album. Now what exactly is this song? And Discreetly keep most of your radical opinions to yourself. When with people be a listener a large part of the time. Be considerate in every word and act, and resist the tendency to say clever things. The best evidence of your culture is the tone and temper of your conversation.
first of all, is it a song at all? Prasanna Shekhar’s composed ‘Jee Le’ is so loud and tuneless that Life is the acceptance of responsibilities or their evasion, it is a business of meeting obligations or avoiding them. To every man the choice is continually being offered, and by the manner of his choosing you may fairly measure him.
one gets a strong sense of aversion in the very first listening. Lyrics by Sajid-Farhad don’t come A big corporation is more or less blamed for being big; it is only big because it gives service. If it doesn’t give service, it gets small faster than it grew big.
with any sort of recollection value and the result is that this Vinod Rathod-Farhad Bhiwandiwala MAGNIFICENT, adj. Having a grandeur or splendor superior to that to which the spectator is accustomed, as the ears of an ass, to a rabbit, or the glory of a glowworm, to a maggot.
sung duet turns out to be the most forgettable inspiration from ‘Ye Dosti’ that any The mind’s first step to self–awareness must be through the body.
filmmaker/composer/singer/actor would have ever attempted. Noise level continues to be at its The lives and happiness of our children, as far ahead as the mind can reach, depend on us today. If we succeed, posterity looking back will record that this was indeed man’s finest hour.
unbearable worst with ‘Dum’ thankfully turning out to be the last song in the offering. Composed by Do not despair of your life. You have force enough to overcome your obstacles.
Amar Mohile and written by Sharim Momin, Vinod Rathod rendered ‘Dum’ attempts at being at it’s Until one has loved an animal, part of one’s soul remains unawakened.
passionately challenging best but just doesn’t leave any impression. What it leaves are a few scars Enzymes are things invented by biologists that explain things which otherwise require harder thinking.
on your ear drums and a strong headache! Ram Gopal Varma Ki Aag doesn’t have a single track that Soap and education are not as sudden as a massacre, but they are more deadly in the long run. Training is everything. The peach was once a bitter almond; cauliflower is nothing but cabbage with a college education.
could be a good contender for a Top-10 spot. Curiosity to hear the new version of ‘Mehbooba Many people correctly make the point that our only hope is to turn to God. For example, Charles Lindbergh, who said that in his young manhood he thought “science was more important than either man or God,” and that “without a highly developed science modern man lacks the power to survive,” . . . went to Germany after the war to see what Allied bombing had done to the Germans, who had been leaders in science. There, he says, “I learned that if his civilization is to continue, modern man must direct the material power of his science by the spiritual truths of his God.”
Mehbooba’ may find a few takers but beyond that the only two tracks that are reasonably tolerable How good it is to be well-fed, healthy, and kind all at the same time.
are ‘Cha Raha” and to an extent ‘Ruk Ja’. Other than these, it is just the theme music of ‘Hai Aag The denunciation of the young is a necessary part of the hygiene of older people, and greatly assists the circulation of their blood.
Yeh’ that boasts of boasts of nostalgic value. One only hopes that the effort gone in making the Children today are tyrants. They contradict their parents, gobble their food, and tyrannize their teachers.
film is much bigger than the one which must have went into creating the soundtrack.

Original post by sonia